LucyCoverlowresIn a musical world that seems ever more dictated by fad and fashion, driven by bluster and bombast, concerned with big statements and immediate responses, it is reassuring to know that there are still artists unaffected by such concerns. Lucy Kitchen is everything that the usual modern approach is not. Her songs are deft and delicate, built on clean-limbed and gentle lines and embellished with only the absolutely essential sonic details. Beats are minimal, textures subtly woven and the music feels nothing more than gossamer and smoke-like layers skilfully interlaced to maintain a musical weightlessness.

That may sound like some ethereal dreampoppery, where music is swapped out for atmospherics, but that isn’t what is going on here. Sun to My Moon is an album of songs that are perfectly formed, balanced and melodic, it’s just that in their perfection they require little else to bring them to the listener. Conciseness is next to godliness perhaps! And all this room leaves her fragile and fragrant vocals front and centre to be better appreciated, better absorbed, to remain the focal point of the album.


Having only encountered Lucy as a solo act, the way that these songs have been recorded with a full band shows a wonderful understanding as to how best to serve them. Rather than driving them to new heights the extra instrumentation serves merely to capture their heart. Songs such as Hollow and Searching For Land are brilliant examples of the less is more philosophy with each player finding their way to the essence of the song and underlining it.

Lovers in Blue strip things back to the barest essentials, Charis is reminiscent of Suzanne Vega which is a pretty high accolade in my book and Lovers and Sorrow carries the same melancholic air that you find in Damien Rice’s groundbreaking O. You had me at cello! But despite my comparisons, a bad journalistic habit, there is more here that is original than reminiscent, much more. Sun To My Moon is a gorgeous collection, one which proves beyond doubt that when you write such beguiling and gorgeous songs they can easily stand, and indeed deftly dance, on their own two delicate feet.

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