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Friday, November 24, 2017
Music Music Reviews

Music Reviews

Man Called Noon

Scene and Heard – It’s Up To Us! – Phillip Foxley

If you think that rock and roll is strictly a young man’s game, artists such as Phillip Foxley quickly remind us that this is certainly not the case.
Sarah Morris

Wouldn’t It Be Nice – YYY – Ft. deM atlaS (single review)

Even in this day where cover versions, sampling and reworking of classic songs is the norm, there are some artists, to me anyway, whose music you plunder at your peril.
billy Roberts

Greenbah –  Billy Roberts and The Rough Riders (album review)

If album opener, Old Friend, ticks off more than a few of those American country references and has a certain Springsteen vibe about it,  Greenbah also has more than a few tricks up its sleeve.

Methylene Blue  –  Jane Allison (album review)

Musically Jane continues in her blending of traditions from both shores of The Atlantic, the English and Celtic folk sound with the inherent melancholy of country music and the drifting, misty mountain vibe which often occupies the common ground between and she does so brilliantly.
Man Called Noon

Nashville – Michael Askin (single review)

It grafts interesting observation and social commentary on to a track which whilst following the rules does so in a smarter and more emotive fashion, which is a pretty neat trick if you can pull it off. Michael Askin more than pulls it off here.

Scene and Heard – CCXXIII : Scatter Me – TC&I  

  There have been many songs about what Mr Shakespeare so eloquently refered to as “shuffling off this mortal coil” and it is part of...
The Raft

Summertime Blues / December (Again) – The Raft (single review)

Cosmic folk-pop. Is that a thing? Well, if not, let’s make it a thing, after all we need a suitable category to put The Raft in, so why not that?

Always  – The Blue Hour (album review)

The Blue Hour are arch-dream weavers whose almost narcotic backdrops are the perfect structure to hang such rich and emotive vocals, ones which at times sound like lost studio sessions by ambient music’s first lady, Kate Bush, slowed down and blissed out and the result is nothing less than a future classic of the dream-pop canon.

Between The Fear and The Funk – Hologram Teen (album review)

The debut Hologram Teen album certainly arrives with all the right credentials in place as it is the solo project of none other than Morgane Lhote, the long-term avante-guardian of the keyboards for seminal indie adventurers Stereolab during what many consider to be their creative high water mark.
Sarah Morris

Kill White Lights –  The Judex (single review)

It says something about the world around us when there are people who can name all of The Kardashians but who can’t name 5 political leaders, or know just how long it would take to ride from King’s Landing to…some other place in a made up world but can’t point to North Korea on the map.