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Wednesday, February 21, 2018
Tags Music review

Tag: music review

Heart of Gold – The Harlers (single review)

The Harlers are torch bearers, the sound of classic rock and roll being carried through to a modern audience, and it is safe to say that they do it better than most.

Showing My Face – ShapeShiftingAliens (single review)

Thus they are less about the cold, clinical detachment of their predecessors and more about taking electronic dance music on a strange, staccato waltz across the dance floor of possibility. Heady, intoxicating and slightly surreal, this is dance music for the outsider set.

Scene and Heard: Skeletons – Ezla

Ezla hasn’t come to save pop music, she has come to destroy it and build something new from the rubble, or at least leave a musical diagram for others to follow. Skeletons is a totally infectious song, simple, beguiling, effortlessly cool but sitting in the shadowed corner of clubland rather than posing under the neon lights of the dance floor.

Veil – Richard Wileman (album review)

What is great is that you get the best of both worlds, new, stripped back sonic journeys but ones which are built on the same creative pulse, musical references and progressive world view as Karda Estra.

We’ll Be Fine – Flood County  (album review)

By and large theirs is a soothing and soulful take on the genre, restrained and delicate and the gently sweeping violins and lilting banjo’s touch on pastoral bluegrass and bucolic folk as much as they do the traditional country music building blocks.

Zebulon –  Jon Lindsay (single review)

Zebulon pops when it needs to, rocks in a perfect gentle but assured fashion and drives on a bluesy-gospel funk. Bar room pianos skitter past, Hammonds swell and soothe, brass sections boogie things up and a pulsing back beat is created by a perfectly on the money rhythm section. It’s the Asbury Dukes playing a modern pop card, Nick Lowe funking it up or any number of modern power-pop bands exploring its parents record collection.

Apathy Is Easy – System Corporation (single review)

A blend of droning, tribal rock and roll that takes in Doorsian psychedelia and 60’s garage band, The Dandy Warhol’s dark pop and tips a hat to The Brian Jonestown Massacres free-wheeling sonic journeys. It is sad, beautiful and capacious and speaks to the moment but does so in such an understated way that as a message it is more subversive than rallying.

March  –  DateMonthYear (single review)

March is a lovely piece, all drama and astute dynamics, mixing angularity with rich vocal harmony, intimate lyrical connections with strident guitars and sweeping string sections.

Gut Splinter –  Nova Flares (single review)

In our post-genre, non-tribal, musical fluid world, Nova Flares is the equivilant of a skinny-jeaned indie kid wearing a Beach Boys t-shirt, clutching a Dream Syndicate album, whistleing a My Bloody Valentine tune (if that is even practical) as they make their way to a Warlocks gig.

Flames, Doorways, Grass and Time – Grasslands (album review)

is a manic, genre-bluring collection of retro-futuristic songs, in that it sounds like what the 21st centuary might sound like in the imagination of an early eighties post-punker, one who had grown bored with blues-based, three chord guitar possibilities and had rewired some broken keyboards and bent them to their will.